Hadestown - Australian premiere
Photograph: OA/Lisa Tomasetti
Photograph: OA/Lisa Tomasetti

Our latest Sydney theatre reviews

Time Out's critics offer their opinions on the city's newest musicals, plays and every other kind of show

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There is a lot happening on Sydney's stages each and every month. But how do you even know where to start? Thankfully, our critics are out road-testing musicals, plays, operas, dance, cabaret and more all year round. Here are their recommendations.

Want more culture? Check out the best art exhibitions in Sydney.

5 stars: top notch, unmissable

  • Dawes Point
  • 5 out of 5 stars
  • Recommended
The question of meaning has long shaped the human condition, at once a source of existential anxiety and a catalyst for some of the world’s most powerful artistic expression. For some, purpose is not pursued but inherited – something life quietly unfolds in its own time, revealing itself only in hindsight. For others, it is a relentless obsession, a restlessness that has driven monks, scholars and countless others towards faith, philosophy and protest in the hope of naming and securing it. Whatever the path, one thing remains certain: purpose is a question that sits within all of us.  Sydney Theatre Company has built a reputation for championing African American voices, staging landmark works by writers such as August Wilson (Fences, 2023) and Lorraine Hansberry (A Raisin in the Sun, 2022). While those productions connected Australian audiences with enduring American classics, Purpose offers a voice unmistakably of the present, one grappling with the complexity of living in a world that is hyper-aware of itself.  The play premiered on Broadway in the 2024-25 season, winning the 2025 Tony Award for Best Play and the Pulitzer Prize for Drama. It's rare for Australian audiences to encounter work with such immediacy; more often, international successes arrive years after their debut. Its programming signals that new artistic director Mitchell Butel may be shaping a tenure characterised by currency. At a moment when conversations around race, human rights, identity, politics...

3 stars: recommended, with reservations

  • Comedy
  • Millers Point
  • 3 out of 5 stars
  • Recommended
"You paid a hundred and sixty thousand euros for this shit?" Marc asks his old friend Serge at the start of Lee Lewis’s restaging of the 1994 satire by French writer Yasmina Reza, Art. It feels sort of meta to be reviewing and speaking to a show whose literal tagline is “Everyone’s a critic. Especially your friends.” But, here we are.   Art has been having its own sort of renaissance on world stages, with the most recent revivals featuring three well-known male celebrities to draw in crowds. In London, it was Rufus Sewell, Paul Ritter and Tim Key, while on Broadway it was Neil Patrick Harris, James Corden and Bobby Cannavale. Australian audiences have been gifted with three long-time friends and collaborators Richard Roxburgh (Rake, The Correspondent), Damon Herriman (Justified, Together), and Toby Schmitz (Boy Swallows Universe, Gaslight). It’s a massive drawcard for audiences to have three actors of this calibre together on stage in a play about the worth of art and what holds together a friendship. And it’s one that has been proving to be working, if the “House Full” sign that’s been sitting outside Sydney Theatre Company’s Roslyn Packer Theatre during previews is anything to go by. What type of show is Art? Marc (Roxburgh) is filled with “some indefinable unease” by his friend Serge’s (Herriman) most recent extravagant spend on a painting that essentially appears to be a blank, white canvas. It’s the recurring gag, the somewhat theatrical McGuffin to Reza’s satiric...
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